{"id":110,"date":"2023-04-01T12:49:03","date_gmt":"2023-04-01T12:49:03","guid":{"rendered":"http:\/\/localhost\/solvefor2\/?p=110"},"modified":"2023-04-01T12:01:56","modified_gmt":"2023-04-01T12:01:56","slug":"uace-literature-in-english-plays-paper-2-mukono-examinations-council","status":"publish","type":"post","link":"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/","title":{"rendered":"UACE LITERATURE IN ENGLISH (Plays) Paper 2 MUKONO EXAMINATIONS COUNCIL"},"content":{"rendered":"<p style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong>P310\/2<br \/>\n<\/strong><\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong>LITERATURE IN<br \/>\n<\/strong><\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong>ENGLISH<br \/>\n<\/strong><\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong>(Plays)<br \/>\n<\/strong><\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong>Paper 2<br \/>\n<\/strong><\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong>Jul \/ Aug 2016<br \/>\n<\/strong><\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong>3 Hours<br \/>\n<\/strong><\/span><\/p>\n<p style=\"text-align: center\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong>MUKONO EXAMINATIONS COUNCIL<br \/>\n<\/strong><\/span><\/p>\n<p style=\"text-align: center\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong>Uganda Advanced Certificate of Education<br \/>\n<\/strong><\/span><\/p>\n<p style=\"text-align: center\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong>LITERATURE IN ENGLISH<br \/>\n<\/strong><\/span><\/p>\n<p style=\"text-align: center\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong>(Plays)<br \/>\n<\/strong><\/span><\/p>\n<p style=\"text-align: center\"><span style=\"font-family:Calibri Light; font-size:12pt\">Paper 2<br \/>\n<\/span><\/p>\n<p style=\"text-align: center\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong>3 Hours<br \/>\n<\/strong><\/span><\/p>\n<p style=\"text-align: justify\">\n\u00a0<\/p>\n<p>\n\u00a0<\/p>\n<p><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><strong>INSTRUCTIONS TO CANDIDATES<br \/>\n<\/strong><\/span><\/p>\n<ul>\n<li><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><em>This paper consists of <strong>four<\/strong> sections: <strong>A<\/strong>, <strong>B<\/strong>, <strong>C<\/strong> and <strong>D<\/strong><br \/>\n\t\t\t\t<\/em><\/span><\/li>\n<li><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><em>Candidates must answer <strong>three <\/strong>questions in all.<br \/>\n<\/em><\/span><\/li>\n<li><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><em>One question must be chosen from section <strong>C<\/strong>, and two others from any two sections <strong>A<\/strong>, <strong>B<\/strong> and <strong>D<\/strong>.<br \/>\n<\/em><\/span><\/li>\n<li><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><em>Not more than one question may be chosen from one section.<br \/>\n<\/em><\/span><\/li>\n<\/ul>\n<p>\n\u00a0<\/p>\n<p>\n\u00a0<\/p>\n<p style=\"text-align: center\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><strong>SECTION A<br \/>\n<\/strong><\/span><\/p>\n<p><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><strong>WILLIAM SHAKESPEARE: KING LEAR<br \/>\n<\/strong><\/span><\/p>\n<ol>\n<li>\n<div><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">Discuss Shekespeare&#8217;s portrayal of the theme of redemption in the play, <strong>King Lear <\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<p style=\"margin-left: 342pt\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><strong><em>(33marks)<br \/>\n<\/em><\/strong><\/span><\/p>\n<\/li>\n<li>\n<div><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">To what extent is the tragedy in <strong>King Lear<\/strong> caused by human character weakness?<br \/>\n<\/span><\/div>\n<p style=\"margin-left: 378pt\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><strong><em>(33marks)<br \/>\n<\/em><\/strong><\/span><\/p>\n<\/li>\n<\/ol>\n<p><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><strong>WILLIAM SHAKESPEARE: ROMEO AND JULIET<br \/>\n<\/strong><\/span><\/p>\n<ol>\n<li>\n<div><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">How effectively has Shakespeare used soliloques in the play, <strong>Romeo and Juliet<\/strong>?<br \/>\n<\/span><\/div>\n<p style=\"margin-left: 378pt\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><strong><em>(33marks)<br \/>\n<\/em><\/strong><\/span><\/p>\n<\/li>\n<li>\n<div><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">Examine Shakespeare&#8217;s portrayal of the theme of love in the play, <strong>Romeo and Juliet<\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<p style=\"margin-left: 378pt\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><strong><em>(33marks)<br \/>\n<\/em><\/strong><\/span><\/p>\n<\/li>\n<\/ol>\n<p><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><strong>WILLIAM SHAKESPEAR: JULIUS CAESAR<br \/>\n<\/strong><\/span><\/p>\n<ol>\n<li><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">How important is Cassius in the play, <strong>Julius Caesar<\/strong>?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong><em>33marks)<\/em><\/strong><br \/>\n\t\t\t<\/span><\/li>\n<li>\n<div><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">Show the dramatic significance of the supernatural in the Play, <strong>Julius Caesar<\/strong>.<br \/>\n<\/span><\/div>\n<p style=\"margin-left: 378pt\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><strong><em>(33marks)<br \/>\n<\/em><\/strong><\/span><\/p>\n<\/li>\n<\/ol>\n<p style=\"text-align: center\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><strong>SECTION B<br \/>\n<\/strong><\/span><\/p>\n<p><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><strong>MOLIERE: THE IMAGINARY INVALID<br \/>\n<\/strong><\/span><\/p>\n<ol>\n<li><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">Analyse Moliere&#8217;s use of irony in the play, <strong>The Imaginary Invalid\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em>(33marks)<\/em><\/strong><br \/>\n\t\t\t<\/span><\/li>\n<li>\n<div><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">Examine Moliere&#8217;s portrayal of the medical profession in, <strong>The Imaginary Invalid<\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<p style=\"margin-left: 378pt\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><strong><em>(33marks)<br \/>\n<\/em><\/strong><\/span><\/p>\n<\/li>\n<\/ol>\n<p><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><strong>HENRIK IBSEN: A DOLL&#8217;S HOUSE<br \/>\n<\/strong><\/span><\/p>\n<ol>\n<li><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">Describe the relationship between Helmer Tovald and Nora. What lessons do we learn from this relationship?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong><em>(33marks)<br \/>\n<\/em><\/strong><\/span><\/li>\n<li>\n<div><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">Discuss the appropriateness of the title; A Doll&#8217;s House to the play.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong><em>(33marks)<\/em><\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<p>\n\u00a0<\/p>\n<\/li>\n<\/ol>\n<p><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><strong>OKOITI OMTATAH: LWANDA MAGERE<br \/>\n<\/strong><\/span><\/p>\n<ol>\n<li><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">Is Lwanda Magere self \u2013 destroyed?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0     <strong><em>(33marks)<\/em><\/strong><br \/>\n\t\t\t<\/span><\/li>\n<li><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">Discuss Okoiti&#8217;s Portrayal of female characters in the play, <strong>Lwanda Magere.<\/strong><br \/>\n\t\t\t\t<strong><em>(33marks)<\/em><\/strong><br \/>\n\t\t\t<\/span><\/li>\n<\/ol>\n<p style=\"text-align: center\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><strong>SECTION C<br \/>\n<\/strong><\/span><\/p>\n<ol>\n<li><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><strong>GORGE BERNARD SHAW: THE DEVIL&#8217;S DISCIPLE \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<br \/>\n<\/strong><\/span><\/li>\n<\/ol>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">judith [unable to believe such a thing of him] You are not going to him!<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">ANDERSON [busy with the boots] Going to him! What good would that do? [Growling to himself as he gets the first boot on with a wrench] I&#8217;ll go to them, so I will. [To Judith peremptorily] Get me the pistols: I want them. And money, money: I want money\u2014all the money in the house. [He stoops over the other boot, grumbling] A great satisfaction it would be to him to have my company on the gallows. [He pulls on the boot].<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">judith. You are deserting him, then?<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">anderson. Hold your tongue, woman; and get me the pistols. [She goes to the press and takes from it a leather belt with two pistols, a powder horn, and a bag of bullets attached to it. She throws it on the table. Then she unlocks a drawer in the press and takes out a purse. Anderson grabs the belt and buckles it on, saying] If they took him for me in my coat, perhaps theyll take me for him in his. [Hitching the belt into its place] Do I look like him?<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">judith [turning with the purse in her hand] Horribly unlike him.<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">anderson [snatching the purse from her and emptying it on the table) Hm! We shall see.<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">judith [sitting down helplessly) Is it of any use to pray, do you think, Tony?<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">anderson [counting the money) Pray! Can we pray Swindon&#8217;s rope off Richard&#8217;s neck?<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">judith. God may soften Major Swindon&#8217;s heart.<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">ANDERSON [contemptuously\u2014-pocketing a handful of money) Let him, then. I am not God; and I must go to work anodier way. [Judith gasps at the blasphemy. He throws the purse on the table). Keep that. Ive taken 25 dollars.<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">judith. Have you forgotten even that you are a minister?<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">anderson. Minister be\u2014faugh! My hat: wheres my hat? [He<\/span><br \/>\n\t\t\t<span style=\"color:black\">snatches up hat and cloak, and puts both on in hot haste) Now listen,<\/span><br \/>\n\t\t\t<span style=\"color:black\">you. If you can get a word with him by pretending youre his wife,<\/span> tell him to <span style=\"color:black\">hold his tongue until morning: that will give me all the<\/span><br \/>\n\t\t\t<span style=\"color:black\">start I need.<br \/>\n<\/span><\/span><\/p>\n<p style=\"text-align: justify; background: white\">\n\u00a0<\/p>\n<p style=\"background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">judith <em>[solemnly) <\/em>You may depend on him to the death.<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">anderson. Youre a fool, a f o o 1, Judith. <em>[For a moment checking the torrent of his haste, and speaking with something of his old quiet and impressive conviction) <\/em>You dont know the man youre married to. <em>[Essie returns. He swoops at her at once). <\/em>Well: is the horse ready?<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">essie <em>[breathless) <\/em>It will be ready when you come.<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">ANDERSON  Good. <em>[he makes for the door )<\/em><\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">judith <em>[rising and stretching out her arms after him involuntarily} <\/em>Wont you say goodbye?<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">anderson. And waste another half minute! Psha! <em>[He rushes out like an avalanche}.<\/em><\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">essie <em>[hurrying to Judith) <\/em>He has gone to save Richard, hasnt he?<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">judith. To save Richard! No: Richard has saved him. He has gone to save himself. Richard must die.<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\"><em>Essie screams with terror and falls on her knees, hiding her face. Judith, without heeding her, looks rigidly straight in front of her, at the vision of Richard, dying.<\/em><\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"background: white\">\n\u00a0<\/p>\n<ol>\n<li>\n<div style=\"background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\">What has happened leading to this scene?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong><em>(08marks)<\/em><\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<\/li>\n<li>\n<div style=\"background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\">Contrast  Anderson in this passage with the Anderson in the earlier part of the play.<br \/>\n<\/span><\/div>\n<p style=\"background: white; margin-left: 360pt\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong><em>(10marks)<br \/>\n<\/em><\/strong><\/span><\/p>\n<\/li>\n<li>\n<div style=\"background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\">What is the mood in the passage?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong><em>(08marks)<\/em><\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<\/li>\n<li>\n<div style=\"background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\">Briefly describe how this incident affects the course of events in the rest of the play.<br \/>\n<\/span><\/div>\n<p style=\"background: white; margin-left: 360pt\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong><em>(08marks)<br \/>\n<\/em><\/strong><\/span><\/p>\n<\/li>\n<\/ol>\n<p style=\"background: white\">\n\u00a0<\/p>\n<p style=\"background: white\">\n\u00a0<\/p>\n<p style=\"background: white\">\n\u00a0<\/p>\n<p style=\"background: white\">\n\u00a0<\/p>\n<ol>\n<li>\n<div style=\"background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong>R.B SHERIDAN: THE SCHOOL FOR SCANDAL<br \/>\n<\/strong><\/span><\/div>\n<\/li>\n<\/ol>\n<p style=\"text-align: justify; background: white\">\n\u00a0<\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">charles S. sir peter  this is one  of the smartest French milliners I ever, saw.    Egad, you seem all to<\/span> have been di<span style=\"color:black\">verting yourselves here at hide and seek, and I don&#8217;t see who is out of the secret.\u2014Shall I beg your<\/span><br \/>\n\t\t\t<span style=\"color:black\">ladyship to inform me? Not a word!\u2014Brother, will you<\/span><br \/>\n\t\t\t<span style=\"color:black\">be pleased to explain &#8216;this matter?   What! is Morality dumb too? &#8211; Sir Peter &gt; though I found ^you in the dark,<\/span><br \/>\n\t\t\t<span style=\"color:black\">perhaps you are not so now! All mute!\u2014Well\u2014though<\/span><br \/>\n\t\t\t<span style=\"color:black\">I can make nothing of the affair, I suppose you perfectly<\/span><br \/>\n\t\t\t<span style=\"color:black\">understand one another\u2014so I&#8217;ll leave you to yourselves<\/span><br \/>\n\t\t\t<span style=\"color:black\">\u2014(Going.)    Brother, I&#8217;m sorry to find you have given<\/span><br \/>\n\t\t\t<span style=\"color:black\">that worthy man cause for so much uneasiness.;\u2014Sir<\/span><br \/>\n\t\t\t<span style=\"color:black\">Peter !_there&#8217;s nothing in the world so noble as a man of sentiment!<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">(Exit&#8217; charles. They stand for some time looking at each other.<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">joseph S. &#8221; Sir Peter \u2014 notwithstanding \u2014 I confess \u2014 that appearances are against me\u2014if you will afford me your patience \u2014 I make no doubt \u2014 but I shall explain everything to your satisfaction.<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">sir peter T.    If you please, sir.<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">joseph S. The fact is, sir, that Lady Teazle, knowing my pretensions to. your ward, Maria \u2014 I say, sir, \u2014 Lady Teazle, being apprehensive of the jealousy of your temper \u2014 and knowing my friendship to the family \u2014 she, sir, I say \u2014 called here \u2014 in order that \u2014 I might explain these pretensions \u2014 but on your corning \u2014 being apprehensive \u2014 as I said \u2014 of your jealousy \u2014 she withdrew \u2014 and this, you may depend on it, is the whole truth of the matter.<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">sir peter T. A very clear account, upon my word; and I dare swear the lady will vouch for every article of it.<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">lady T.    For not one word of it, Sir Peter !<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">sir peter T. How! don&#8217;t you think it worth while to agree in the lie?<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">lady  T. There is not one syllable of truth in what that gentleman has told you.<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">sir peter T.    I believe you, upon my soul, ma&#8217;am!<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">joseph  S. (aside). \u2014 &#8216;Sdeath, madam, will you betray me? <\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">LADY T.    Good Mr. Hypocrite, by your leave, I&#8217;ll speak for myself.<br \/>\n<\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">SIR PETER T. Aye, let her -alone, sir; you&#8217;ll find she&#8217;ll make out a better story than you, without prompting.<br \/>\n<\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">lady T. Hear me, Sir Peter! \u2014 I came hither on no matter relating to your ward, and even ignorant of this gentleman&#8217;s pretensions to her. But I came seduced by his insidious arguments, at least to listen to his pretended passion, if  not to  sacrifice your honour to his baseness.<br \/>\n<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">SIR peter T. Now, I believe, the truth is coming  indeed!<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">josephs.    The woman&#8217;s mad!<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">lady T.    No, sir,\u2014she has recovered her senses, and your own arts have furnished her with the means.\u2014Sir Peter, I do not expect you to credit me\u2014but the tenderness you expressed for me, when I am sure you could not think  I was a witness to it, has penetrated so to my heart, that had I left the place without the shame of this discovery, my future life should have spoken the sincerity of my gratitude. As for that smooth-tongued hypocrite, who would have seduced the wife of his Too&#8221; credulous friend, &#8220;while he affected honourable addresses to his ward\u2014I behold him now in a light so truly despicable, that I shall never again respect myself for having listened to him.                                         (Exit lady teazle.<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">joseph S. Notwithstanding all this, Sir Peter, Heaven knows&#8212;&#8212;<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">SIR peter T. That you are a villain! and so I leave you to your, conscience <\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">joseph S. You are too rash, Sir Peter; you shall hear me. The man who shuts out conviction by refusing to             \u00a0\u00a0\u00a0\u00a0(Exeunt sir peter and surface talking.<br \/>\n<\/span><\/p>\n<p style=\"text-align: justify\">\n\u00a0<\/p>\n<ol>\n<li>\n<div style=\"text-align: justify\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">Relate the events leading to this scene \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong><em>(08marks)<\/em><\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<\/li>\n<li>\n<div style=\"text-align: justify\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">Comment on the dramatic techniques used in this passage.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong><em>(08marks)<\/em><\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<\/li>\n<li>\n<div style=\"text-align: justify\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">Explain the themes brought out in the passage \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong><em>(08marks)<\/em><\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<\/li>\n<li>\n<div style=\"text-align: justify\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">What happens shortly after this passage?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong><em>(10marks)<\/em><\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<\/li>\n<\/ol>\n<p style=\"text-align: justify\">\n\u00a0<\/p>\n<ol>\n<li>\n<div style=\"text-align: justify\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\"><strong>ROBERT BOLT: A MAN FOR ALL SEASONS<br \/>\n<\/strong><\/span><\/div>\n<\/li>\n<\/ol>\n<p style=\"text-align: justify; background: white\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">More (with some of his academic&#8217;s impatience for a shoddy line of reasoning); Not so, Mr Secretary, the maxim is &#8216;qui tacet  consentire&#8217;. (Turns to common man.) The maxim o\u00a3 the law is: (very carefully) &#8216;silence Gives Consent. If therefore, therefore, you wish to construe what  my silence &#8216;betokened&#8217;, you must construe that I consent not  that I denied.<br \/>\n<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">cromwell: Is that what the world in fact construes from it?<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">Do you pretend that is what you wish the world to construe from it?<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">more: The world must construe according to its wits. This Court must construe according to the  law.                 <\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">cromwell: I put it to the Court that the prisonerjs perverting the law &#8211; making smoky what should be a clear light to discover to the Court his own wrongdoing! (CROM WELL&#8217;S official indignation is slipping into genuine anger and more responds.)<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">more: The Law is not a &#8216;light for you or any Man to see by ; the law is not an instrument of any kind (To the foreman.) The law is a causeway upon which so long as he keeps to it a citizen may walk safely. (Earnestly addressing him.) In matters of conscience &#8211;<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">cro M well (bitterly smiling) : The conscience, the conscience &#8230; .<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">MORE:(turning): The word is not familiar to you? <\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">cromwell: By God, too familiar! I am very used to hear it in the mouths of criminals!<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">more: I am used to hear bad men misuse the name of God, yet God exists. (Turning back.) In matters of conscience, the loyal subject is more bounden to be loyal to his conscience than         to any other thing.<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">cromwell (breathing hard: straight at more): -And so provide a noble motive for his frivolous self-conceit!<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">more (earnestly): It is not so, Master Cromwell &#8211; very and pure necessity for respect of my own soul<br \/>\n<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"color:black; font-family:Calibri Light; font-size:12pt\">cromwell: &#8211; Your own self you mean!<br \/>\n<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">more: Yes, a man&#8217;s soul  is his self!<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">cromwell (thrusts his face into more&#8217;s. They hate each other<\/span><br \/>\n\t\t<\/span><\/p>\n<p style=\"text-align: justify; background: white\"><span style=\"font-family:Calibri Light; font-size:12pt\"><span style=\"color:black\">and each other&#8217;s standpoint): A miserable thing, whatever you call it, that lives like a bat in a Sunday School! A shrill in cessant pedagogue about its own salvation &#8211; but nothing to say of your place in the State! Under the King! In a great native country!<\/span><br \/>\n\t\t\t<span style=\"color:black\">more (not untouched): Can I help my King by giving him lies when he asks for truth? Will you help England by populating her with liars<br \/>\n<\/span><\/span><\/p>\n<p style=\"text-align: justify; background: white\">\n\u00a0<\/p>\n<ol>\n<li>\n<div style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\">Place the context of this passage \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong><em>(10marks)<\/em><\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<\/li>\n<li>\n<div style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\">Comment on the dramatic techniques employed in this passage \u00a0\u00a0\u00a0\u00a0<strong><em>(08marks)<\/em><\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<\/li>\n<li>\n<div style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\">Describe the conflict presented in the passage \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong><em>(09marks)<\/em><\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<\/li>\n<li>\n<div style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\">How is this conflict resolved later in the play?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong><em>(07marks)<\/em><\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<\/li>\n<\/ol>\n<p style=\"text-align: center\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong>SECTION D<br \/>\n<\/strong><\/span><\/p>\n<p style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong>JOHN RUGANDA: ECHOES OF SILENCE<br \/>\n<\/strong><\/span><\/p>\n<ol>\n<li>\n<div style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\">How is the play, <strong>Echoes of Silence<\/strong> a portrayal of Wairi&#8217;s echoes of rejection and 00&#8217;s cry of despair?\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong><em>(33marks)<\/em><\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<\/li>\n<li>\n<div style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\">Comment on the ending of the play, <strong>Echoes of silence.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em>(33marks)<\/em><\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<\/li>\n<\/ol>\n<p style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong>DAVID MULWA: INHERITANCE<br \/>\n<\/strong><\/span><\/p>\n<ol>\n<li>\n<div style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\">In what ways and respects is Sangoi the heroine in the play, <strong>Inheritance<\/strong>?\u00a0\u00a0\u00a0\u00a0<strong><em>  (33marks)<\/em><\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<\/li>\n<li>\n<div style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\">What is Mulwa&#8217;s view on leadership as portrayed in the play, <strong>Inheritance<\/strong>?<strong><em>(33marks)<\/em><\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<\/li>\n<\/ol>\n<p style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong>FRANCIS IMBUGA: AMINATA<br \/>\n<\/strong><\/span><\/p>\n<ol>\n<li>\n<div style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\">How does Pastor Ngoya influence the development of events in the play, <strong>Aminata<\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<p style=\"text-align: justify; margin-left: 342pt\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong><em>(33marks)<br \/>\n<\/em><\/strong><\/span><\/p>\n<\/li>\n<li>\n<div style=\"text-align: justify\"><span style=\"font-family:Calibri Light; font-size:12pt\">Examine Imbuga&#8217;s use of symbolism in the play, <strong>Aminata\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em>(33marks)<\/em><\/strong><br \/>\n\t\t\t\t<\/span><\/div>\n<p style=\"text-align: justify\">\n\u00a0<\/p>\n<\/li>\n<\/ol>\n<p style=\"text-align: center\"><span style=\"font-family:Calibri Light; font-size:12pt\"><strong><em>End &#8211;<br \/>\n<\/em><\/strong><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>P310\/2 LITERATURE IN ENGLISH (Plays) Paper 2 Jul \/ Aug 2016 3 Hours MUKONO EXAMINATIONS COUNCIL Uganda Advanced Certificate of<\/p>\n","protected":false},"author":1,"featured_media":268,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6,1],"tags":[],"class_list":["post-110","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-english-and-literature","category-uncategorized"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.3 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>UACE LITERATURE IN ENGLISH (Plays) Paper 2 MUKONO EXAMINATIONS COUNCIL - MAKTABA EDUCATION CENTER<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"UACE LITERATURE IN ENGLISH (Plays) Paper 2 MUKONO EXAMINATIONS COUNCIL - MAKTABA EDUCATION CENTER\" \/>\n<meta property=\"og:description\" content=\"P310\/2 LITERATURE IN ENGLISH (Plays) Paper 2 Jul \/ Aug 2016 3 Hours MUKONO EXAMINATIONS COUNCIL Uganda Advanced Certificate of\" \/>\n<meta property=\"og:url\" content=\"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/\" \/>\n<meta property=\"og:site_name\" content=\"MAKTABA EDUCATION CENTER\" \/>\n<meta property=\"article:published_time\" content=\"2023-04-01T12:49:03+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2023-04-01T12:01:56+00:00\" \/>\n<meta name=\"author\" content=\"solvefor2\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"solvefor2\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"WebPage\",\"@id\":\"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/\",\"url\":\"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/\",\"name\":\"UACE LITERATURE IN ENGLISH (Plays) Paper 2 MUKONO EXAMINATIONS COUNCIL - MAKTABA EDUCATION CENTER\",\"isPartOf\":{\"@id\":\"https:\/\/edu.co.tz\/notes\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/#primaryimage\"},\"image\":{\"@id\":\"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/#primaryimage\"},\"thumbnailUrl\":\"https:\/\/edu.co.tz\/notes\/wp-content\/uploads\/2024\/03\/uace-literature-in-english-plays-paper-2-mukono-examinations-council.jpg\",\"datePublished\":\"2023-04-01T12:49:03+00:00\",\"dateModified\":\"2023-04-01T12:01:56+00:00\",\"author\":{\"@id\":\"https:\/\/edu.co.tz\/notes\/#\/schema\/person\/22640439bcee8b34467d318cc1ffbc1f\"},\"breadcrumb\":{\"@id\":\"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/#primaryimage\",\"url\":\"https:\/\/edu.co.tz\/notes\/wp-content\/uploads\/2024\/03\/uace-literature-in-english-plays-paper-2-mukono-examinations-council.jpg\",\"contentUrl\":\"https:\/\/edu.co.tz\/notes\/wp-content\/uploads\/2024\/03\/uace-literature-in-english-plays-paper-2-mukono-examinations-council.jpg\",\"width\":640,\"height\":480},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\/\/edu.co.tz\/notes\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"UACE LITERATURE IN ENGLISH (Plays) Paper 2 MUKONO EXAMINATIONS COUNCIL\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\/\/edu.co.tz\/notes\/#website\",\"url\":\"https:\/\/edu.co.tz\/notes\/\",\"name\":\"MAKTABA EDUCATION CENTER\",\"description\":\"Education Resource Center\",\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\/\/edu.co.tz\/notes\/?s={search_term_string}\"},\"query-input\":\"required name=search_term_string\"}],\"inLanguage\":\"en-US\"},{\"@type\":\"Person\",\"@id\":\"https:\/\/edu.co.tz\/notes\/#\/schema\/person\/22640439bcee8b34467d318cc1ffbc1f\",\"name\":\"solvefor2\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\/\/edu.co.tz\/notes\/#\/schema\/person\/image\/\",\"url\":\"https:\/\/edu.co.tz\/notes\/wp-content\/litespeed\/avatar\/0f39cdeee7cdac1df694066fab428e39.jpg?ver=1775661353\",\"contentUrl\":\"https:\/\/edu.co.tz\/notes\/wp-content\/litespeed\/avatar\/0f39cdeee7cdac1df694066fab428e39.jpg?ver=1775661353\",\"caption\":\"solvefor2\"},\"sameAs\":[\"http:\/\/localhost\/solvefor2\"],\"url\":\"https:\/\/edu.co.tz\/notes\/author\/solvefor2\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"UACE LITERATURE IN ENGLISH (Plays) Paper 2 MUKONO EXAMINATIONS COUNCIL - MAKTABA EDUCATION CENTER","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/","og_locale":"en_US","og_type":"article","og_title":"UACE LITERATURE IN ENGLISH (Plays) Paper 2 MUKONO EXAMINATIONS COUNCIL - MAKTABA EDUCATION CENTER","og_description":"P310\/2 LITERATURE IN ENGLISH (Plays) Paper 2 Jul \/ Aug 2016 3 Hours MUKONO EXAMINATIONS COUNCIL Uganda Advanced Certificate of","og_url":"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/","og_site_name":"MAKTABA EDUCATION CENTER","article_published_time":"2023-04-01T12:49:03+00:00","article_modified_time":"2023-04-01T12:01:56+00:00","author":"solvefor2","twitter_card":"summary_large_image","twitter_misc":{"Written by":"solvefor2","Est. reading time":"10 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"WebPage","@id":"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/","url":"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/","name":"UACE LITERATURE IN ENGLISH (Plays) Paper 2 MUKONO EXAMINATIONS COUNCIL - MAKTABA EDUCATION CENTER","isPartOf":{"@id":"https:\/\/edu.co.tz\/notes\/#website"},"primaryImageOfPage":{"@id":"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/#primaryimage"},"image":{"@id":"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/#primaryimage"},"thumbnailUrl":"https:\/\/edu.co.tz\/notes\/wp-content\/uploads\/2024\/03\/uace-literature-in-english-plays-paper-2-mukono-examinations-council.jpg","datePublished":"2023-04-01T12:49:03+00:00","dateModified":"2023-04-01T12:01:56+00:00","author":{"@id":"https:\/\/edu.co.tz\/notes\/#\/schema\/person\/22640439bcee8b34467d318cc1ffbc1f"},"breadcrumb":{"@id":"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/#primaryimage","url":"https:\/\/edu.co.tz\/notes\/wp-content\/uploads\/2024\/03\/uace-literature-in-english-plays-paper-2-mukono-examinations-council.jpg","contentUrl":"https:\/\/edu.co.tz\/notes\/wp-content\/uploads\/2024\/03\/uace-literature-in-english-plays-paper-2-mukono-examinations-council.jpg","width":640,"height":480},{"@type":"BreadcrumbList","@id":"https:\/\/edu.co.tz\/notes\/uace-literature-in-english-plays-paper-2-mukono-examinations-council\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/edu.co.tz\/notes\/"},{"@type":"ListItem","position":2,"name":"UACE LITERATURE IN ENGLISH (Plays) Paper 2 MUKONO EXAMINATIONS COUNCIL"}]},{"@type":"WebSite","@id":"https:\/\/edu.co.tz\/notes\/#website","url":"https:\/\/edu.co.tz\/notes\/","name":"MAKTABA EDUCATION CENTER","description":"Education Resource Center","potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/edu.co.tz\/notes\/?s={search_term_string}"},"query-input":"required name=search_term_string"}],"inLanguage":"en-US"},{"@type":"Person","@id":"https:\/\/edu.co.tz\/notes\/#\/schema\/person\/22640439bcee8b34467d318cc1ffbc1f","name":"solvefor2","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/edu.co.tz\/notes\/#\/schema\/person\/image\/","url":"https:\/\/edu.co.tz\/notes\/wp-content\/litespeed\/avatar\/0f39cdeee7cdac1df694066fab428e39.jpg?ver=1775661353","contentUrl":"https:\/\/edu.co.tz\/notes\/wp-content\/litespeed\/avatar\/0f39cdeee7cdac1df694066fab428e39.jpg?ver=1775661353","caption":"solvefor2"},"sameAs":["http:\/\/localhost\/solvefor2"],"url":"https:\/\/edu.co.tz\/notes\/author\/solvefor2\/"}]}},"_links":{"self":[{"href":"https:\/\/edu.co.tz\/notes\/wp-json\/wp\/v2\/posts\/110","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/edu.co.tz\/notes\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/edu.co.tz\/notes\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/edu.co.tz\/notes\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/edu.co.tz\/notes\/wp-json\/wp\/v2\/comments?post=110"}],"version-history":[{"count":1,"href":"https:\/\/edu.co.tz\/notes\/wp-json\/wp\/v2\/posts\/110\/revisions"}],"predecessor-version":[{"id":111,"href":"https:\/\/edu.co.tz\/notes\/wp-json\/wp\/v2\/posts\/110\/revisions\/111"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/edu.co.tz\/notes\/wp-json\/wp\/v2\/media\/268"}],"wp:attachment":[{"href":"https:\/\/edu.co.tz\/notes\/wp-json\/wp\/v2\/media?parent=110"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/edu.co.tz\/notes\/wp-json\/wp\/v2\/categories?post=110"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/edu.co.tz\/notes\/wp-json\/wp\/v2\/tags?post=110"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}